Ozone is eminently visual software, so a lot of what’s new you can glean just by looking through the screenshots. (CDM’s Marsha Vdovin was out on the floor, and the word “Ozone” kept cropping up.) AES is a flurry of knobs, dials, and faders, but some of the major buzz we heard was just this single upgrade to the software. It does so much, in fact, that it’s hard for an upgrade to do more, but Ozone 5 promises new sound and visual feedback that could further entrench this popular tool.Īnd that could explain how Ozone 5 stole the Audio Engineering Society trade show in New York. It’s a suite of interconnected modules handling frequency and dynamics, designed to work together in an integrated interface. Let’s get straight to it: Ozone has already established itself as a do-everything mastering tool.
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